script theory造句

Silvan Tomkins ( 1911 1991 ) developed the Affect theory and Script theory.
In script theory, the basic unit of analysis is called a " scene ", defined as a sequence of events linked by the affects triggered during the experience of those events.
His approach is based on Victor Raskin's ( 1985 ) " Semantic Script Theory of Humor ", or to be more precise, on the arguments connected with ethnic humor on binary oppositions.
After receiving an NIMH career research award, he left Princeton for CUNY Graduate Center in 1965, then in 1968 moved to Rutgers University, from which he retired in 1975 to work on his script theory.
Script theory is a form of social scripting theory which has been defined clearly by Michael W . Wiederman who says, " Social scripting theory points to the fact that much of sexual behavior seems to follow a script.
It's difficult to find script theory in a sentence. 用script theory造句挺难的

Imagined interactions are a type of social cognition and mental imagery theoretically grounded in symbolic interactionism and cognitive script theory, in which individuals imagine conversations with significant others for a variety of purposes ( Honeycutt, 2003; 2010 ).
Her book " Homer and the Resources of Memory " ( OUP, 2001 ) draws on several forms of narratology and cognitive science, such as the script theory developed in the 1970s by Roger Schank and Robert Abelson.
Sexual script theory and its application in clinical practice are founded on the undeniable reality that the subjective understandings of each person about his or her sexuality ( and called a sexual script ) substantively determine that person's choice of sexual actions and the subsequent qualitative experiencing of those sexual acts.
Irene de Jong's 1987 " Narrators and Focalizers : The Presentation of the Story in the Iliad " draws on the work of the theorist Mieke Bal, and de Jong followed this up in 2001 with her " Narratological Commentary on the Odyssey "; Bakker has published several linguistic-narratological studies, especially his 1997 " Poetry as Speech "; and Elizabeth Minchin's 2001 " Homer and the Resources of Memory " draws on several forms of narratology and cognitive science, such as the script theory developed in the 1970s by Roger Schank and Robert Abelson.